Showing posts with label Sydney. Show all posts
Showing posts with label Sydney. Show all posts

Tuesday, 4 November 2008

Blatherskite News


As the above flier states, Blatherskite will be playing a show on the 28th of November at The Live House with The Angel Affair (headlining), Hybrid Nightmares (VIC) and Seneki. $10 cover charge at the door, an the show starts at 9pm.

The band is also still in search for a full time drummer. Here's the message fromt he band.
Blatherskite (Rock/Metal/Industrial/Prog, Sydney) seeking committed drummer, good gear, own transport. Willingness to tour. Love playing loud, with a good sense of dynamics, range from fast metal to slow fat grooves to strange time signatures. Launching our 4th studio album this year. Contact Tim on 0412 233 628 or blatherskite.saves@gmail.com. www.myspace.com/blatherskite email for tracks and tabs. Love you long time!

Sunday, 14 September 2008

Live Review: Opeth - Sydney 6-9-08



Well, they did it again. Opeth sold out an entire tour across Australia, and, yet again, held their largest headlining show in Sydney, again, with a rumored number of around 3400 tickets sold for this event. A pretty awesome feat for a metal band in a country rarely recognized for it's huge dedication to music.
The day was cold and wet, but that didn't stop people from lining up outside the venue starting at around midday (with doors to open at 7pm). I arrived with my party at around 2:30 and met a few people and had a good ol' chat while waiting for the doors to open at 7pm.

The support act was self acclaimed goth/metal act Virgin Black from Adelaide, who didn't really seem to go down too well with most of the crowd. Like Opeth, they were diverse in style with a heavy/not-so-heavy moments, but they lacked something in between. Their intro needs a bit of working on. The crowd pretty much laughed at the track they had playing as the band entered the stage. They were interesting but couldn't keep my interest for long. Perhaps if I knew their stuff better. For Opeth's one and only support, I think they could have found a better local band.

Opeth were next, of coarse, and it couldn't have come (and gone) any quicker. They were tight as ever, I didn't even notice the lack of Peter! Fredrik did a great job, as did Axe. The whole evening was just an abundance of awesome. They opened with a Watershed track, Heir Apparent, and later they played The Lotus Eater which was flawless, as expected, and it sounded great live.
I'm still unsure if this year's set list was better than the one played in 2006. Both have their strong points. Combined, they'd make the best Opeth show ever, almost. This night's set also included Serenity Painted Death, The Night And The Silent Water, Master's Apprentices, Deliverance, and the one song that got me into Opeth in the first place, The Drapery Falls, amongst many other of coarse. The addition of Demon of The Fall was a highlight for me since we missed out on that song last tour.
During Bleak Mikael's amp decided it had enough, so while the tech crew were sorting that out, the audience got treated to a drum solo (which Axe decided to do to cover Mike's a*s), a bass solo, guitar solo and keyboard solo! A nice little treat despite the abrupt end to the song, which was continued anyway. See below for a video!

The venue, Big Top in Luna Park, was okay, same one as their sold out '06 tour. The sound from where I was (front row to the left of stage) wasn't so good, but I expected that since there was no balance and I was right in front of the bass speakers, but everything was still understandable and it came with a great view all through the show. It's an interesting setting for a metal gig though, right in the heart of an amusement park, but it is a popular choice for a lot of bands that come out these days.

All in all, it was a great night, Opeth were every bit as amazing as I would have expected, and I'm sure most of the crowd would agree with me there.

Here is the set list from my memory. Possibly not entirely correct in order, but close.

Heir Apparent
Master's Apprentices
The Baying Of The Hounds
Serenity Painted Death
To Rid The Disease
The Lotus Eater
Bleak (5 min intermission with solos all around)
The Night And The Silent Water
Deliverance
Demon Of The Fall
-----------------
The Drapery Falls

Monday, 19 May 2008

Blatherskite - Where the Wasteland Ends


Blatherskite (Sydney Rock/Metal/Industrial/Prog act) continue their quest for Evolution through Massive Hearing Damage, recording their latest studio album "Where the Wasteland Ends" (preproduction for 2 years) with Sydney's up and coming underground producer and creator of insane guitar sounds, David Hammer (Credits - Furcurve, As Venice Sinks, Between the Devil & the Deep http://www.myspace.com/dhammermusic)…
Tracking runs into overtime (4 weeks and counting), yet mysteriously remains on schedule through some quirk of quantum entanglement for a September 08 release and National tour, keep your eyes and ears out.
http://www.myspace.com/blatherskite for demo tracks.

Saturday, 10 May 2008

Lord + The Eternal, Sydney Concert Sat. May 24

Illawarra based Metal band LORD have scheduled a show in Sydney for the 24th of May. Bands included in the set will be Victoria's The Eternal (for their only Sydney show), Transcending Mortality and Darker Half. The show will be taking place at The Bald Faced Stagg in Leichhardt. Get there and check out some of Australia's finest metal in action!

Lord's Myspace: http://www.myspace.com/lordaus

Tuesday, 29 April 2008

Porcupine Tree - Enmore Theatre Sydney, Saturday 26 '08

For some people this is probably not one of the most known bands around. A lot of people when I told them who I'll be going to see gave me the same 'Porcupine Who?' look, which, funny enough, one of my music teachers at college gave us when another student mentioned them. But this concert, despite being of a whole different genre than my usual listening, was most excellent indeed. I lined up with 2 hours to spare, and just happened to be beside the side exit doors where I could hear the sound check, and what I heard from within was exciting enough to be sure.

There was an odd mix of people about, from a variety of generations and genres, and the crowd had a whole different sort of feel than my average metal gig. Safe to say the Opeth shirts were out in force, as to be expected since Mr. Åkerfeldt is Porcupine Tree's unofficial spokesperson with many local stores confusing Fear of a Blank Planet for a new Opeth album since it has an Opeth logo on the front (but only to accompany Mikael's comments on the band). And I'm sure, like a lot of other fans, that a lot of the Opeth supporters heard of PT from Opeth, since front man Steven Wilson did produce and help create a few of Opeth's epic masterpieces. it is, afterall, how I came to find this awesome band.

But back to the concert. For some reason the venue decided it'd be fun to let everyone in through the one main door, which ended up taking a few more minutes than I'd have liked considering the time I waited just to get in. Most people seemed to head straight for the merch desk (me and my company included), and, sorry to say, it was one of the slowest merch desks I've been at, only 2 guys serving the Porcupine Tree fans. I must have stood at the desk waiting while the guy served 10 people that got there after me. But alas, we got through that just happy to have a shirt, and headed up front.

The support act was Melbourne band Sleep Parade, and although they had talent, they could only play one good song a few times. Yes, all songs sounded pretty much the same to me. I was impressed by their sound and presence on stage, and the epic ending where guitarist/vocalist Leigh Davies sung into the bridge pickup of his guitar, which sounded freaking awesome! it gave me a sorta vibe I'd get when listening to The Angelic Process with the awesome distorted sounding vocals. But unfortunately that was pretty much the only highlight of their act for me. The crowd really warmed up to them though, giving them a torrent of applause and cheers at the completion of their set, which despite my elitist views on them, I felt they earned it.

The wait for Porcupine Tree was next, and although I feel I had waited longer for bands to arrive, I started to think how silly it is having a support act to get the crowd 'worked up' only to have that wear off in the 40 or so min wait for the main act. The crowd seemed a tad more arrogant than they do at my usual sort of show, infact I felt rather privileged when someone decided I was good enough for them to flick their cigarette butt at my hand in this non-smoking venue. Or even when some girl pushed past me, and at the same time spilt her drink all over my leg. At least she said a prompt 'sorry mate' as she vanished as quick as possible. Gotta love how considerate others are these days. Alas, the crowd was getting excited, and restless as the wait went on. Any slight movement on stage meant cheering in hopes that the band was coming out. Patience people, paitience!

But finally Porcupine Tree were ready, and rushed out to begin their set with the title track from their latest album, Fear of a Blank Planet. The mix was excellent, although could have used a little less bass, but otherwise it sounded great, and Steve's vocals were in top shape this evening. The stage was set up rather differently to most other bands. Seemed to have taken inspiration from Opeth, with having the drums on the audience's right and the keyboards on the left. A nice touch indeed. The light display was impressive aswell. After the first song or two people were calling out requests, which Steve responded to by pointing out that they have this thing called a 'set list'. Really? Since when?


A few of the songs they played from Deadwing, and all of the songs they played from the later album were accompanied by visuals on a projected backdrop. Fear Of A Blank Planet and Way Out of Here were both accompanied by the film clips, which were rather interesting I found since I hadn't seen them before, and went rather well with the music. it was all timed perfectly aswell, in particular in Sleep Together where they had visuals of robots in bubbles on some form of computer tapping to the beat, and perfectly on time aswell, which I found impressive.

The band played a bunch of (awesome) songs from all over their catalogue, some of which I didn't recognise, but still thoroughly enjoyed. Those played included Blackest Eyes, Lazarus, Sleep Together, Open Car, Halo and Trains. I was hoping to hear something from Up the Downstair's first disc, but didn't recognise anything from that. They played for close to 2 hours and the crowd loved it.
As soon as they were off stage people were cheering for an encore, despite the fact that it's now become a part of the performance to go off stage for a little while with the intentions to return anyway. You really can't call it an 'encore' if it's a part of the set list, where an encore was originally a band coming back out after finishing their set to play some requested songs because the audience kicked arse. But, it's what everyone does these days, apart from a select few. And as expected, they returned to play another three songs before saying their goodbyes to their first Sydney crowd in 15 years or so.


So, for me it was an awesome evening, despite a few minor set-backs, but let's be honest, what gig doesn't have it's problems. I'd definitely go see Porcupine Tree live again in a f*cking heartbeat, and so should you.

Thanks to Anna for the pics.

Saturday, 22 March 2008

Immortal Blashyrkh tour, Australia 2008 - March 15th, The Metro, Sydney



What can be said about this band that hasn't been said before? They've been around for some 18 years and only just now decided to grace Australian fans with their presence, which seems to be the going trend for bands to finally realise that we're here and waiting (Iron Maiden finally realised this too). But, alas they came, we saw, then they left, but not before getting pestered by a crowd of fans at their instore signing at Utopia Records in Sydney, which was quite the experience in itself. But, to the gig.

Upon arriving there was already a sizable crowd waiting outside, and once everyone was let it they all went either to the bar, to the front of the stage or to the merch stand, which seems to be the three most interesting spots one can be before the show even starts. Local metallers Ruins were the support for the evening, and despite their lack of stage presence, they kicked arse musically. I had heard some good things about this band, and it was delivered, which is always a bonus. The band boasts members of Psycroptic and The Amenta, which are both becoming local heroes in the metal scene down under. Ruins are yet another tight act in the Australian metal scene, and I'd recommend you check them out if ever given a chance.

Of course, Immortal were up next, and the crowd was giddy with anticipation as their backdrop was revealed, out came the camera phones to get a pic, and as the crew was preparing the stage for their inevitable arrival people were either sucking up to them with hopes of scoring free sh*t, or yelling for them to "hurry f**k up" (jokes, of coarse). After a good half hour or so wait, Immortal finally came out, Horgh arising triumphantly behind the kit, followed by Abbath and Apollyon running out on stage.

They played songs from all over their discography, including Solarfall, At The Heart of Winter, Damned in Black, Sons of Northern Darkness and so on, and played them all perfectly. I didn't think the night could get any better until Abbath came out mid song with a flaming torch and did a bit of fire breathing for all the Sydney fans! From second row I could feel the heat from these massive fireballs licking the ceiling. Abbath was in a comical mood this evening, having fun with the crowd in between songs, when we got too quiet he'd yell at us to make some noise, and at some point did a scat version of a Didgeridoo, which was a pretty good attempt.
After a few more songs the show was over and people spilled out onto the streets of Sydney very satisfied and jumping around with glee over the fact that they had just seen Immortal, and after an 18 year wait, you'd bloody well hope so.

The Monday after the show was time for the Immortal signing, so I made my way back into the city just for this, and I can say that it was an experience, as I already mentioned. The lineup of people didn't really start to grow until around 5 mins before the band was due to begin, but as expected it was pushed back half an hour, which wasn't too much of a big deal.

Eventually everyone was lead inside the store to line up and out came the band, Abbath, Horgh, Apollyon and Demonaz were all accompanied by cheers from the crowd. They all seemed quite happy to sit there and sign a few things for everyone, I started to think of things I should have taken with me to get signed, but alas I scored a tour poster from the shop owner and got the band to scribble on that, which was awesome. When I asked Apollyon how their stay in Sydney was, he said "It was great, today we went to the zoo". Sounds like fun!
A great way to end an even better weekend. If you ever get a chance to see Immortal, don't pass it up, they certainly give you your moneys worth. I'll definately be there when they return. I just wish I had a camera with me on the night. Always next time though!

Mat

Tuesday, 19 February 2008

Metalstock Australia 2008!

For its third year now, Australia's only surviving open-air festival devoted purely to metal is on again... only this time it's not on a farm, but inside Sydney's Manning Bar, spanning over two days and being host to 17 bands, including Canada's Kataklysm, and local heroes Psycroptic and F**k I'm Dead.

Metalstock is its name, and it's a name that has found itself to be quite well known throughout the Aussie metal scene with people and bands travelling from all over the country to, basically, f**k s**t up and have a great time whilst seeing some awesome bands. Gradually growing larger (but being a smaller show this yeah due to the venue change), Metalstock is guaranteed to be the place to be this easter long weekend (22nd-23rd March).

Normally, and I make reference to last years set, there'll be 40+ bands, it'd span over 3 whopping days and pretty much just be a giant hangout on a farm in the middle of nowhere around somewhere north of Sydney, with metalheads of all ages camping out and having a kickarse time.
Although that's not the case this year, it should hopefully return to its old ways next year, with word being that it'll be on another outdoor venue, most likely also in the middle of nowhere (fewer noise complaints then :P), and hopefully a larger set with even more awesome extreme metal bands. Not that this year's isn't appealing at all.

Whether or not I'm going all depends on whether I'm able to win some tickets or con someone into buying tickets for me, heh. But I'll most likely be making the trip next year for the outdoor event, as it sounds like way too much fun to pass on.

Visit the Metalstock Myspace for more details, and where to purchase tickets.